WebBlock chord. A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as Shearing voicing, was popularized by George Shearing, but originated with Phil ... WebNov 15, 2024 · Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18.
Block Chords & Drop 2 PianoGroove.com
WebAmerican Jazz Pianist known as Red Garland. Known for his block chord style team up with such greats as Miles Davis, John coltran, Philly Jones, and Ron Carter to name a few. Skip to main content ... memorial page for William McKinley “Red” Garland Jr. (13 May 1923–23 Apr 1984), Find a Grave Memorial ID 52141762, citing Lincoln Memorial ... http://thetuningnote.com/_transcriptions/jazz%20piano/Red%20Garland%20-%20Notes%20on%20his%20solos.pdf fireboy and watergirl 34
Red Garland - Groovy Presto Music
WebPianist Red Garland recorded many sets in the late 1950s and early '60s, often (as in this case) with bassist Paul Chambers and drummer Art Taylor. Despite the slight length of this LP (under 35 minutes), this is a particularly strong showcase of Garland's talents. His block chords are distinctive, as is his use of space, and the music always ... WebDiscover Red Alone by Red Garland released in 1960. Find album reviews, track lists, credits, awards and more at AllMusic. ... side comes out in "These Foolish Things," while the graceful runs in the upper keyboard are complemented by his rich block chords in "My Last Affair." The subtlety of his interpretation of "You Are Too Beautiful" and ... WebAs you can see in most of our transcription of Billy Boy presented here, Garland’s innovative and distinctive “block chord” style was made of three notes in the right hand and four (rarely three) notes in the left hand, with the left hand playing around middle C and the right hand playing one octave above the left. In this style: fireboy and-watergirl 3